Completed: My Easter Outfit

Remember that wool crepe I bought while I was in NYC? Remember how I was afraid it was going to be too winter-y for a climate that’s already rapidly approaching summer weather?

WELL, CHECK THIS SHIT OUT:

I made me a fancy lady flouncy pencil skirt! Totally banking on Carolyn’s reassurance that wool is a lovely fabric to wear during the summer, I decided to test that theory by making it into a skirt. I really wanted a whole ladysuit – or even a dress – but unfortunately, this kind of saturated yellow doesn’t do favors for my coloring. I went with a skirt so there would be plenty of space between my face and the yellow.

I felt pretty silly making a wool pencil skirt just as we’re creeping into 75* days – I mean, I’ve always thought of wool as a winter fabric (and I’d guess that a lot of people feel the same way). The best coats are wool – why would I wear wool in the summer heat? Isn’t that just asking for a sweaty disaster?

So here’s my little wool crepe pencil skirt for spring – in the kind of bright yellow that would almost be embarrassing if it wasn’t so awesome. But sit back down for a spell, there’s a lil’ surprise in the back…

… a circular flounce insert! I call it a party in the back, Landon calls it my tail. Either way, it’s a fun little addition to jazz up an otherwise plain pencil skirt (well, as plain as a *bright yellow* wool crepe pencil skirt can be, I suppose!).

This pattern is Vogue 8317, which I received during a sewing swap (also while I was in New York – thanks, Oona!). Just based on the envelope art, the pattern is a bit dated looking (I originally thought it was from the earlyl 90s, but the copyright date is 2006 wut), but the line art showed promise. I made a 10, although I probably should have done a smaller size as I needed to take in quite a bit at the waist. I also shortened the skirt by about 2″ before cutting into my crepe.

The skirt is fully lined with Bemberg Rayon. I originally wanted a bright yellow like the crepe, but there wasn’t any in the store when I was there (nor was there any white – at least not in rayon!), so I ended up getting a light peach that is very close to my skin tone. Surprisingly, it picks up quite a bit of the hue of the wool and almost looks like the exact yellow I was trying to obtain. Love it when that happens!

I also made my bow-neck blouse, using polka dot cotton batiste (from Mood, of course) and Simplicity 4676, a vintage pattern. The batiste is quite sheer, so I underlined the body with white batiste. I love this stuff – it’s incredibly soft and lightweight, and the black and white pin dots go with EVERYTHING. Seriously. I will probably end up wearing this top all summer, it’s so good!

I made this outfit to wear for Easter dinner with my family, but I can definitely see myself wearing it all throughout summer, as well as pairing up the individual pieces with different tops and bottoms. Oh, and to answer my own question at the beginning of the post- wool crepe gets two thumbs up from me when it comes to summer wear. Just make sure you pair it with a lightweight, breathable lining, and you can wear this amazing fabric year-round.

Do I sound like an advertisement, yet? WOOLCREPEWOOLCREPEWOOLCREPE

Completed: A Very Purple Simplicity 3178

Y’all. Can we talk about wool crepe for a minute? I just love this shit to tiny threadbare pieces and I wish everything I made had a wool crepe option. I love the spongy texture, the glorious drape, the magical body-temperature-regularity (yay, wool!), and the COLORS. Truly, everyone should have at least one experience rolling around in a uncut length of wool crepe. Especially if it is a jewel-toned wool crepe. Ooh la la.

For my first Mood Sewing Network project, I wanted that experience to include wool crepe. I have a beautiful 1940s Simplicity pattern that I knew would look amazing done up in such a fabric. And since we’re talking about ~my first time~, I decided to go all out with my bad self and splurge on silk crepe de chine lining and satin bias tape as well. The end result is very… purple.

The pattern I used is Simplicity 3178, which is undated but looks to be from the late 30s/early 40s. I love vintage patterns because they always have sweet little details, like the darts on the elbows that provide gentle shaping for the sleeves and the shoulder yokes that are actually pockets (!!).

The skirt is bias cut, so I finished the hem with 1″ horsehair braid to give it a nice flare.

The pattern gives a couple of options for finishing the neckline – I went with the double collar (self fabric on top and ivory wool crepe at the bottom) and a giant bow!

I didn’t have to make too many changes to the pattern to get a good fit. I took in the side seams by 1/2″, tapering up to the underarm. I also removed a whopping 9″ of length from the skirt – the original pattern pieces came all the way down to my ankles! Yeech!

I reckon the pockets are totally unnecessary, but ughhh I love those little fuckers!

This baby is also lined! Wool crepe really begs for a nice lining to give it some additional structure, and although the pattern doesn’t include pieces or instructions for adding a lining, it wasn’t too difficult to figure out. Unfortunately, I didn’t correctly calculate my yardages, so I didn’t have enough lining for the entire dress – which means the sleeves are not lined. I’ve noticed a distinct lack of lining in lots of dress sleeves, so this doesn’t bug me too much. Bonus plus: now you can see the pretty bias tape at the sleeve hems!
Also: lol at this hideously unflattering photo of me. IT WAS WINDY WHEN I TOOK THESE PICTURES, OK.

The instructions do call for the sleeve slit and hems to be finished with bias tape, and then closed with a series of snaps. After trying the dress on during one of many fittings, I decided to flip the hems back to show the bias tape since the dress really needed a bit of color breakup. I pressed the cuff (wool crepe really does press so beautifully) and tacked down each side with a couple of hand stitches to keep everything in place. The neck bow is the same bias tape, just pressed completely open.

I think the shoulders are my favorite part of the dress! Instead of using shoulder pads, I made a small stiff rectangle with horsehair interfacing and tacked that to the armholes like a sleeve head. It keeps the pleats from dropping too much and gives the dress those badass strong shoulders that were so fashionable in the 40s.

Here you can better see the yoke pockets. I just think they are the coolest little detail! I wish they were big enough to hold my phone, but they’re just baarely too small. Hm, what do you think I could use them for? My seam ripper seems to fit

I worked hard to make the inside of this dress just as pretty as the outside. The yoke pockets and neck facings are lightly interfaced with silk organza, the facings are finished with satin bias tape, and I even rolled the hem lining and used tiny hand stitches to secure it. The collar is detachable – it’s current state of attachment involves basting stitches.

Overall, I’m very happy with my dress – I love it’s snuggly wool warmth and did I mention purple? Because purple.

IN OTHER NEWS:
- Brittany of Viva Bang Bang, one of the MANY local Nashville bloggers who I’m just obsessed with (check out my sidebar; there are tons of us! WE ARE EVERYWHERE, YO), came to my house over the weekend and took a bunch of pictures of my sewing room. If you thought it looked cool before, definitely go check it out now because she made it look fucking amazing. Yay! Thank you so much, Brittany!!
- I’m sure some of y’all are into Project Runway, yes? Even if you’re not (that would be me, haha. Guilty!), you should totally watch this season because my homegirl Amanda Valentine is one of the designers and she is super rad and you should support her. I mean, they called her a bitch in the season preview. How sweet is that?! Haha!